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Top Gap. See more gaps Learn more about contributing. Edit page. See the full list. Watch the video. Recently viewed Please enable browser cookies to use this feature. Either way, NBC didn't want a battle and let her go.
Applegate's exit made Greenblatt become even more determined to make the changes work. The decision was made to shoot just one episode and consider it a new pilot for fall consideration.
And although Lisa Kudrow 's name was briefly mentioned as a potential Applegate replacement, she immediately said no. After that, no other actresses were contacted, and a pilot was never shot. With Applegate gone, both Arnett's and Rudolph's agents urged them to move on, too. NBC hasn't officially canceled the show, but a network insider doubts it will return: "Humpty Dumpty couldn't be put back together again.
Subscribe to TV Guide Magazine now! Close Ad. Live TV. New This Month. More TV Picks. Michael Schneider March 6, , a. I warned her that it has some pretty intense stuff in it, but if she would like to watch it with me, it might ultimately be a positive thing. Some background. A few years before we met, she found herself in a very bad situation and an abusive relationship, which she was able to escape with some help from a few close friends and a lot of innate bravery.
I had read pieces and heard podcasts from women who had been in similar situations who found viewing Midsommar to be a freeing and empowering experience. To my surprise, she made it through the whole movie. It is a danger zone. More than any other genre, horror is confrontational. More often than not, fantastical monsters, horror icons, and Scandinavian death cults are masks placed over the very real terrors felt by the filmmakers that create them and the audiences that consume them.
From its earliest days, horror was seen as a tool for social and political reflection. The Cabinet of Dr. Nosferatu reflects on the fears and aftermath of a plague that had ravaged Europe and the world just a few years before.
Or consider the moral outrage ascribed to films like Peeping Tom , The Texas Chain Saw Massacre , and Friday the 13th , all films that are considered acceptable, perhaps even tame today.
Or to take a more extreme example, Ruggero Deodato, the director of Cannibal Holocaust , was brought up on murder charges because of the savage realism of his film. This is why it is important, nay—the duty of new filmmakers to continue to confront us and make us uncomfortable. Horror, by its very definition, is something uncomfortable, something disturbing, something transgressive. To be clear, I have nothing against comfort horror.
There is nothing wrong with returning time and again to the movies we love. There is power in facing and overcoming these fears and finding comfort in that. The solace found in the familiar is good for us, but it also ceases to hold the same kind of power when we are lulled rather than disturbed. Horror is a call to examination and to action.
Comfort rarely stirs us to either. Wes Craven was particularly articulate on these points. He believed that the first thing the audience should be afraid of is the filmmaker. In other words, we should be uncertain of where they will take us and what dangers they will confront us with. Top credits Creator Emily Spivey. See more at IMDbPro.
Episodes Browse episodes. Top Top-rated. Clip Up All Night: Unexpected Detour. Up All Night: Regan Confirms. Photos Top cast Edit. Jennifer Hall Missy as Missy. Carly Prince Amy 1 as Amy 1 …. Delaney Prince Amy 2 as Amy 2 …. Jason Lee Kevin as Kevin. Nick Cannon Calvin as Calvin. Sean Hayes Walter as Walter.
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